19 Jan 16

[ English ]

If you decide to use this approach you want to have a very large bankroll and remarkable fortitude to go away when you acquire a small success. For the benefit of this story, an example buy in of $2,000 is used.

The Horn Bet numbers are not always considered the "winning way to wager" and the horn bet itself has a house edge of over 12 %.

All you are betting is $5 on the pass line and a single number from the horn. It doesn’t matter whether it is a "craps" or "yo" as long as you bet it always. The Yo is more established with gamblers using this system for clear reasons.

Buy in for two thousand dollars when you sit down at the table however put only $5.00 on the passline and $1 on one of the 2, 3, 11, or twelve. If it wins, fantastic, if it does not win press to two dollars. If it loses again, press to $4 and continue on to $8, then to sixteen dollars and following that add a one dollar every time. Each time you do not win, bet the previous amount plus one more dollar.

Adopting this system, if for example after fifteen rolls, the number you wagered on (11) hasn’t been tosses, you probably should go away. Although, this is what might develop.

On the tenth roll, you have a sum total of $126 in the game and the YO finally hits, you win three hundred and fifteen dollars with a take of one hundred and eighty nine dollars. Now is a great time to walk away as it is more than what you joined the game with.

If the YO doesn’t hit until the twentieth toss, you will have a total bet of $391 and seeing as current action is at $31, you win $465 with your gain being $74.

As you can see, adopting this scheme with just a $1.00 "press," your profit margin becomes smaller the more you bet on without hitting. That is why you should march away once you have won or you should wager a "full press" once again and then continue on with the one dollar boost with each toss.

Crunch the data at home before you try this so you are very familiar at when this system becomes a losing affair rather than a winning one.


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